At the turn of the millennium, sociologist Robert Putnam wrote Bowling Alone, which observed that a successful community relies on successful community organizations and civic participation. “Researchers in such fields as education, urban poverty, unemployment, the control of crime and drug abuse, and even health have discovered that successful outcomes are more likely in civically engaged communities,” Putnam wrote.

It’s hard to argue with that. But Putnam also took the view that, because Americans in general were becoming less and less active in organizations like the Rotary and bowling leagues (hence the title), our nation’s civic life was on the wane — making our communities more vulnerable to social and economic ills.

I don’t really share Putnam’s pessimism — even if bowling leagues and Rotary clubs aren’t as popular anymore, I’m confident that Americans are finding new ways to engage with their communities. Then again, I say that from my privileged position as a resident of Portland, which is a community of remarkably accessible civic institutions.

Almost immediately after I moved here, nearly six years ago now, I joined the city’s Bicycle and Pedestrian Advisory Committee and started a blog dedicated to improving the city’s built environment. That, in turn, introduced me to people who helped me land my first full-time job here, and it put me on (usually) friendly terms with people from City Hall and various environmental organizations.

It’s not unusual for me to see our congresswoman, Chellie Pingree, out on the First Friday Art Walk, or to have a quick chat with one of my state legislators at the farmers’ market or the coffee shop. But easy access to local elected officials is only a small part of Portland’s civic life. The city has an abundance of volunteer committees and organizations that are dedicated to improving the city’s economy, environment, and the quality of life for its residents, from trade-oriented networking organizations to advocacy groups to social clubs.

Here’s a (very) incomplete bullet list of ready-made networks that are ready to make a newcomer feel at home, by empowering them to improve our community:

• The League of Young Voters – whose “Portland 101” series introduces people (of any age) to the workings of municipal government.
• The Telling Room – the volunteers at this nonprofit include many of Portland’s writers and journalists.
• SPACE Gallery – sign up as a volunteer to meet new buddies in Portland’s music and visual arts scenes (and get free admission to shows).
• AIGA Maine – this is a good network of Maine-based graphic designers and freelancers. They also put on periodic events, from cocktail hours to business seminars.
• Portland Society of Architects – for anyone in the building or design trades. Don’t miss their next Drink ‘n Crit.
• The City of Portland Boards and Committees – which offers up unpaid but influential positions in municipal Boards of Commissioners and Task Forces (including the Historic Preservation Board, the Public Art Committee, the Land Bank Commission, and many others). Check for vacancies here around the beginning of each month.
• League Night at Bayside Bowl – it may sound frivolous, but (like most of these groups) Bayside Bowl mixes good times with good citizenship: the owners are a state senator and a former ACLU attorney, and they host a nonprofit benefit night every Monday. Robert Putnam would feel right at home.

Photo: City Hall, by Corey Templeton. You can find many more photos of Portland on Corey’s Portland Daily Photo blog.

Two weeks ago, environmental activist, author and founder of 350.org, Bill McKibben, came to the Portland US District courthouse to join a midday demonstration “marking the two-year anniversary of the Citizens United v. FEC Supreme Court ruling that gave corporations unprecedented power to fund political campaigns,” according to a story in the Portland Phoenix. “City councilor Dave Marshall recently submitted a resolution that calls on Maine’s congressional delegation to support a constitutional amendment abolishing the so-called ‘corporate personhood’ codified by the ruling. ‘We simply can’t win the battle against carbon if politics remains polluted by corporate money,’ McKibben says.” Dave Marshall’s resolution was indeed passed that Thursday night. The city council of Portland voted 6-2 to call on the state’s congressional delegation to support an amendment to the U.S. Constitution abolishing “corporate personhood.” [Here's a good roundup of the issue from CommonDreams.org]

McKibben went on to give a lecture that Friday evening at the Westbrook Performing Arts Center hosted by the University of New England entitled, “Local and Global: Notes from the Frontlines of the Climate Fight.” [Here's the video of the talk.] That talk is being broadcast today on MPBN’s Speaking in Maine public affairs program.

Now Portland likes corporations just fine, but we like living and working to be in balance. We like our people to be people and our corporations to be corporations.

In fact, a lot of the companies that are attracted to Maine, and to the Portland area in particular, are trying to create solutions to the kinds of problems McKibben addresses in his most recent book, Eaarth, Making a Life on a Tough New Planet.  ReVision Energy, Ocean Approved Kelp, Ocean Renewable Power, all presented at this year’s Juice 3.0 conference and are all based in Portland. Other Portland green businesses listed on the Maine Businesses for Sustainability include Blue Reserve Water, PDT Architects, Wright-Ryan Construction, and Coffee by Design. A great resource for local services with green practices is the new green business directory from The Sunrise Guide.

McKibben’s talk was Skyped live around the State to Belfast, Bangor, Houlton, and the Portland Public Library. Bill said he has been to all of these places, but this “is a very low carbon way to get around Maine!” He apologized, in advance for being, “a professional bummer-outer of people,” but then went on to tell what we can all do to make things better. He praised Maine’s initiatives in the local food movement and Portland’s permaculture efforts during the 10.10.10 day of action, but he also said we need to do more.

In particular, McKibben thinks that the injection of money into politics is crippling our government’s ability to make any substantive changes in our energy future. ”I gave a little talk at the Portland courthouse today,” he said, “because there was a demonstration to mark the second anniversary of the Citizens United thing that sort of opened up fully the money spigots for corporate America to interfere in our political life. And this is just cheating. If the Patriots make the Super Bowl, and Bob Kraft, the owner of the Patriots, is caught giving money to the referees beforehand, it’s a national scandal. Everybody would be outraged, but if Exxon does it, then it’s OK. That’s crazy and we’ve got to stop it, right now.”

McKibben speaks from the deep Yankee tradition (see my discussion with Colin Woodard in relation to this). In fact, in 2010 he wrote a series of articles for Yankee Magazine subtitled How New England Can Save the World. And he was clearly speaking to a receptive audience that night in Westbrook, “The thing that keeps us from fixing things is our cynicism. This is how it’s always going to be. We need to be aggressively naive about this. I think we need to say, ‘This is not right, it’s not fair, it makes no sense. We don’t know how it got started, but it’s time to stop it.’ And we won’t stop it perfectly and all at once, but hopefully we can at least throw a scare into them. So we’re going to have people all over the country and they’re going to be following around their congressman with big signs pointing out how much money they’ve taken. And we’re going to be making up suit coats for them that look like those uniforms that nascar drivers wear, with decals, logos, for each of their companies. It’s shameful what’s going on and there needs to be some shaming done.”

Bill is not a naturally outgoing person and he has taken the mantle of activist leader somewhat reluctantly. In many ways, like many creatives, he would rather sit in his room and write. But there’s clearly something about the momentum of social engagement, and 350.orgs surprising victories, that keeps him going. Returning at the end of his talk to the theme of local foods he concluded, ”The secret is to have more fun than other people have, and part of that involves eating delicious, good things close to home, and frankly i think we’ve reached the point that i’m going to stop so I can eat some of them!”

The Boston/New York face-off in the Super Bowl got me thinking about Portland in relation to those two urban centers of gravity. Many creative professionals here maintain ongoing ties with one or both, and culturally they are quite distinct. Although I’ve lived here for seven years—and although I’m not a sports fan—I find myself rooting for the Giants. Ex-New Yorkers can even think that their urbanity has had a pervasive effect on Portland, but in truth, Portland has probably changed them more than they have changed Portland. To get to the bottom of this struggle for identity—this battle for the soul of Portland—I consulted Colin Woodard, author of American Nations. And like many New Yorkers before me, I tried to change his New England mind and he ended up changing mine.

Q:What is the theory behind American Nations and which Nation is the City of Portland part of?

A: American Nations argues that there has never been one America, but rather several Americas. The original colonial clusters were founded by people with distinct ethnographic and religious characteristics, ideals, values, and political and societal goals. Throughout the colonial period they saw each other as competitors and sometimes as enemies, fighting on opposite sides of the English Civil War and the American Revolution. They colonized mutually exclusive portions of the middle region of our continent, laying down the cultural DNA that subsequent immigrants have confronted as the “dominant culture” around them.

Maine, including Portland, is part of Yankeedom, the Greater New England cultural space established by the early Puritans.

Q: The Super Bowl on Sunday pits the New England Patriots (representatives of Yankeedom) against the New York Giants. What “Nation” do the Giants represent?

A: New Netherland, the Dutch-founded area around New York City, to include northern New Jersey, western Long Island, Westchester and Fairfield counties. Established by the Dutch at a time when the Netherlands was the most sophisticated society in the Western world, New Netherland has displayed its salient characteristics throughout its history: a global commercial trading culture— multiethnic, multireligious, and materialistic—with a profound tolerance for diversity and an unflinching commitment to the freedom of inquiry and conscience.

Q: Portland has become multiethnic, multireligious and tolerant of diversity (not sure about materialistic) due to the influx of Africans, Asians—and New Yorkers. Plus we have great bagels, a tattoo parlor from Brooklyn, and lots of first-rate writers and other creatives that have moved here from New York. As an ex-New Yorker myself, I have to ask, what does it take to overthrow the “dominant culture” of a city?

A: All that could be said of Boston, Arlington, Charleston or, indeed, London. Don’t confuse the trappings of contemporary urbanity with “New Netherlandishness.” Portland’s food, art, and culture scenes  owe their existence to transplants from many places, including Massachusetts, New Hampshire and other parts of Maine. That’s not to say New Yorkers haven’t enriched our city, but one can overestimate their contribution.

The dominant culture in Portland has been Yankee ever since the Casco Bay area was first colonized in the 1650s, the decade after the English Civil War. While New Netherlanders have much to be proud of, there are important virtues of this Yankee culture. There’s an emphasis on community — rather than individual — good, and a strong social taboo regarding flashy displays of wealth, privilege, and power that is almost entirely alien to Gotham. There is, indeed, an emphasis on cultural conformity — at some level, Yankee culture expects outsiders to melt into the pot, as it were — but its also a culture programmed by the Puritans to improve itself through civic institutions and engagement.

Many affluent, big city professionals have who’ve come and helped invigorate our city have builtupon foundations laid decades and, in some respects, centuries ago. It would be a mistake to assume that Yankees – and indeed, Mainers — haven’t played a central role in the creation of contemporary Portland. (I point your readers to one of my previous works, The Lobster Coast, for more on this.) In short, you wouldn’t want to overthrow the dominant culture of Greater Portland. It’s what makes the city work in the first place.

Q: So you think that urbanites from New York and all the other metros are attracted to Portland in good measure because of the qualities of Yankeedom—emphasis on community, lack of materialism, value on civic engagement—that are expressed in here? And all that New Netherlandish stuff are just superficial trappings that have—in fact—embedded themselves in many metros without changing the essential character of those places?

A: Urbanites are drawn to Portland for many of the reasons pointed out in your website. Every “nation” has cities with different characteristics and attributes (compare and contrast Paris and Marseilles, for instance), but the dominant culture does have a powerful background effect. So, yes, there are Yankee cultural features at the foundation of what people celebrate about Portland.  New Netherlanders — and Left Coasters, Midlanders, Irish, French, Greeks, Serbs and Somalis — have enriched our city, but the dominant culture remains. That, indeed, is why we call it “dominant.”

Q: Point taken. So who do you think will win the Super Bowl?

The Patriots. (Where’s that other team from? Unlike the Mets and Knickerbockers, their team colors aren’t the orange blue and white of the old Dutch Republic.)

Much of what makes Portland such a cool city derives from the first half of our name. We are a port, perched on the Atlantic Ocean. Because of that, we are utterly unlike, say, Waltham or Austin or Chapel Hill. With ports come piers and wharves. Facing the waterfront from Portland’s Commercial Street, you can count ten wharves from left to right, each with its own character. So as we prepare to ring in the New Year, lets sing out the praises of these fingers into the sea:

1. Maine State Pier is the most heavily used, since it houses the Casco Bay Lines, whose ferries link Portland to islands across Casco Bay. Come here to watch boats pulling in and out, as seagulls wheel overhead.
2. Next door is Maine Wharf, a true working pier. It’s home to businesses such as Morrison’s Maine Course (wholesalers of seafood specialties), Chase Leavitt (maritime services since 1854), the water taxi (to get a private lift across the bay) and the sea tow (to get your boat back to port when you run out of gas).
3. Custom House Wharf houses Sea Bags, where old sails are recycled into beautiful tote bags, and The Porthole, which many claim has the best breakfast in town. But it’s most known for Harbor Fish Market, perhaps the finest of its kind on the East Coast. “Iconic” + “Maine” = “Harbor Fish Market.”
4. To its right is Portland Pier, a curious mix of J’s Oyster House, small law firms, some condos – and New Meadows Lobster, at the far end.
5. Beside that is Long Wharf. Hardly a wharf, this is more of a huge parking lot, with an adjacent marina and DiMillo’s Restaurant, a converted car-ferry-turned-high-end-eatery.
6. Chandler’s Wharf is exclusively upscale condominiums. You probably don’t come here unless you live here.
7. Widgery Wharf is the real thing, unchanged for decades, chockablock with lobster boats, lobster traps, lobster processors, and a smell to remind you how authentic a town Portland really is.
8. Adjacent is Union Wharf, perhaps the most diverse along the waterfront. You’ll find the Maine Life Raft & Inflatable Service Company, an architecture firm, lobster businesses, the Nine Stones Spa, and the Maine Responder, a large vessel dedicated to cleaning up oil spills if/when they occur (she spent five months in the Gulf of Mexico in 2010).
9. Like the other piers, Merrill’s Wharf has lobster boats tied up along its perimeter. But it also has a warehouse recently gutted and refurbished to house one of the state’s largest and most venerable law firms, Pierce Atwood.
10. Portland Fish Pier (aka Merchants Wharf), the last in the line, is a mega-pier that is home to, among others, the Harbor Master, the Portland Fish Exchange (where daily auctions set the price for seafood locally),  social investment non-profit Coastal Enterprises, and the offices of U.S. Congresswoman Chellie Pingree.

A world unto themselves, Portland’s piers and wharves, sometimes unnoticed and uninvestigated, are your gateway to this unique city by the bay. Make a New Year’s resolution to visit them all.

Photo of Merrills Wharf by John Spritz

Out of a field of 15 candidates, the people of Portland have chosen their next mayor—former State Senate majority leader Michael Brennan. For the last 88 years, the Portland City Council has appointed the mayors, so this is kind of a big deal.

An even bigger deal is that Portland has elected a leader who articulates positions critical to the growth of the creative economy:

Brennan has committed to “work for a Portland that embraces diversity, acts with compassion, encourages artists as well as business leaders, promotes energy conservation, preserves open spaces, expands buy local and grow local initiatives, builds affordable housing, and offers accessible healthcare.”

He believes in the development of the downtown and the working waterfront: “ I am committed to expanding affordable housing opportunities in the downtown and providing incentives for businesses who locate there.  Our working waterfront is part of the city’s history and tradition that must not be lost.  It should be a significant component of any economic development strategy.”

Quality of life is high on his list of priorities: “We live here because there is no other city in the country that combines natural beauty with such a robust array of arts and culture, population diversity, and progressive social policies.  I want to make every night a “First Night” in Portland and provide our artists and musicians with on-going venues to perform and display their talents.”

Brennan is a locavore: “‘Buy Local’ efforts help support a variety of community businesses and allow us to be less dependent on out of state sources for our food.  Buy local should also include growing local.”

He sees the relationship between education and economic growth: “As a longtime education policy leader, I will work tirelessly to establish a world-class education system from early childhood through higher education and senior college.”

Finally, he knows what it means to represent Portland to the state and negotiate our fair share of the funding: “I will use my years of experience as a State Representative and State Senator to make certain Portland is treated fairly and that Portland and the region are recognized as the economic engines that drive the state’s economy.”

Good luck, Mr. Mayor! You are now another engine driving the growth of Portland.

In a world of uncertainty, why celebrate risk? Why put everything you have into a crazy idea with only the barest beginnings of a plan? Ask that to Corey, Tyler and Seth, above, when they leave Love, The Bus in LA and fly back to Camden to be among the keynote speakers at the Juice 3.0 Conference in Camden on November 4 and 5th. In the case of Tyler Dunham, Seth Brown, and Corey McLean, these three “lifelong friends, filmmakers, and adventurers from the coastal town of Lincolnville, Maine (pop. 2,042). …[are] brimming with optimistic energy and a desire to accomplish something epic.” So they converted an old schoolbus into a grease-powered, web video road trip mobile and have been travelling around the country raising money to fund projects for community organizations and uploading the results in real time. If they can do all that, what else can they do?

And that’s just the point. The creative economy, the innovation economy, the experience economy—these are all expressions of the fluidity required by this crazy world—call it the improvisation economy. The Juice Conference is dedicated to bringing together a wide range of creative, innovative thinkers who have figured out how to put their ideas into action. Speakers and panelists include Maine heavyweights like Governor Angus King, Eliot Cutler and Roxanne Quimby, art world luminaries like Louisa McCall, Donna McNeil, and Eric Fischl and technological innovators like Kerem Durdag, John Ferland and  Steve Page. Portland’s creative economy is well represented by Ben Sawyer, of Digital Mill, Josh Broder of Tilson Technologies, Paul Dobbins, of Ocean Approved, Stephanie Volo of Planet Dog and Jaime Parker of Portland Trails.

One of the highlights of the conference is the pitch contest with $150,000 in financing to the winning business plans. (The deadline has been extended to Friday, October 28, so there’s still time to apply). If you’re not up for facing the “shark tank” in the pitch contest, they also have a short film contest (the deadline to apply is also now this friday.) Putting business plans and people who think about making business plans in front of investors and experts about those businesses is exactly what Juice is trying to do. And if your plan sounds like a mystery bus ride, what start up these days doesn’t?

Maine is full of smart people doing interesting things, but we may all be a bit too independently minded for our own good. That’s why conferences like Juice (and TEDx Dirigo) and places like Portland are so important. As the innovation economy spreads out through Maine, Portland has a role to play as a place to bring people together, to develop stories, to share a great meals, to cross-pollenate and propagate. Josh Broder of Portland’s Tilson Technology was just named to MaineBiz’s Next List for 2011. In the article he predicts that certain parts of the economy are poised for significant growth, “especially in those industries with strong ties to the creative economy. ‘American centers of innovation are our capital—the companies coming from technology, software and social media,’ he says. ‘All of those new things require significant infrastructure, and we’re the infrastructure provider.’”

And the same could be said of Portland. If risk is the juice of the Maine’s creative economy, Portland is it’s glass.

Photo from Love, The Bus

On Monday afternoon, El-Fadel Arbab sorts through vivid, homemade signs like those pictured above, painted with slogans (“Humanity before Politics,” or “Be the Voice for Those Who Cannot Be Heard”) which he will take to this Saturday’s Peace in Sudan Rally in Washington, D.C. Schoolchildren from Portland, Maine, and our surrounding communities crafted the posters after hearing Arbab’s story.

“If you’re looking for people to help you and they don’t know anything about you, how can they help you?” Arbab asks. Since arriving in Portland from Darfur in 2004, Arbab has dedicated himself to telling the story of his childhood and his people – how the Sudanese military and Janjaweed mercenaries came when he was 12 years old and burned down his village in Darfur, a western region of Sudan, killing most of its inhabitants and separating him from family and community. He made his way to Egypt after four years, where he reunited with his mother, some of his siblings, and members of his extended family before they earned visas to come to the U.S.

Arbab’s story is remarkable, but perhaps just as surprising is how many people with stories like his live in Portland. Our metropolitan area is home to one of the largest organized Darfuri refugee populations in the United States. The Fur Cultural Revival, a non-profit organization headquartered at the Meg Perry Center in Portland, works to spread awareness about the Darfur genocide in the U.S. and ease the transition process for Darfuri refugees in the area. Through FCR, Arbab has organized a rally on the 23 of each month at Monument Square in remembrance of July 23, 2004, when the U.S. Congress declared genocide in Darfur. He sees it as another way of raising awareness.

Arbab is almost halfway toward his goal of telling his story in all 50 states.

“For the rest of my life, I will be sharing this story. I have been enslaved by the government of Sudan, burned alive, lost so many members of my family,” he says. “My story is one example, and it’s not just about Sudan. It’s about breaking the cycle of genocide.”

His preferred audience is students. “The distance between the United States and Sudan that leaders feel doesn’t exist for students. They see the human side of the conflict,” explains Arbab. “Kids want to learn and change the world.” Currently, schools across the country must sign up on a waiting list, booking Arbab a year in advance.

This Friday, FCR will bus Portlanders down to D.C. for the rally, organized by the Enough Project, Save Darfur Coalition/ Genocide Intervention Network, the FCR, and more. Arbab will speak alongside other internationally recognized human rights advocates at the event. Before the rally, Darfuris against genocide are holding a global hunger strike, which will begin at noon on Friday and end at noon on Saturday.

While Arbab’s work increasingly takes him to new parts of the country, he remains dedicated to building relationships among native and new Mainers. “When I go to a different state, Maine is on my mind – the streets, restaurants, stores, views,” Arbab says. “When I come back to Portland and see the view of the ocean, I feel so relaxed, like I am home again.”

Pictured above: Arbab with signs made by Portland’s youth.

The opening of Base Camp Gallery last week in Portland was as much about the fact of a new alternative art space as it was about the work that was shown. Everybody there was clearly having a good time and it seemed to me that the real art at play here was social. This is not to diminish the work, much of which could easily be hanging in any number of downtown galleries, but rather to elevate place-making to its rightful place. The place in question is a large warehouse, once used for distributing beer, and now the auxiliary space of a couple of well-established Portland entrepreneurs, a machine shop and an interesting smattering of younger creatives. The entry way looked like an art installation at Documenta in Kassel, Germany, with a lineup of Mercedes and modern furniture mashed up against a sound system and bar (another way of distributing beer). The autos turn out to be part of a bio-diesel conversion project, but no matter, they were fun to look at and added to the cocktail chatter. The overarching theme of the space and the crowd was, in fact, conversational. The artworks to each other, the art to the space, the implicit conversations between the different tenants of the warehouse, and of course, the sizable crowd that came to see what it was all about.

Another kind of conversation will be happening on Tuesday, April 5th. The Maine Center for Creativity will be hosting “From Imagination to Innovation: Maine Participates in Lincoln Center Institute’s Imag’nation Conversation.” This is one of fifty such events that the Lincoln Center Institute has been holding in every state that will culminate in an Imagination Summit in New York this coming July. These conversations are designed to get people talking about “how imagination is a prerequisite for success in the 21st-century global economy [and how] now more than ever, we must teach imagination in our schools and nurture it in our communities.” The keynote speaker for the Maine conversation will be Rockland artist Eric Hopkins, joined by Daniel Bouthot, Habib Dagher, Carol Farrell, Aaron Frederick, Andy Graham and Karen Montanaro, moderated by Patsy Wiggins. The event goes from 4 to 8pm, at Hannaford Hall at the Abromson Center on the USM Portland campus ($20 to attend; $5 for USM students; RSVP is required).

There has been a lot of discussion during the past months (and particularly in the past weeks) about the role of public art in Portland and in the State of Maine in general. The Portland Museum of Art will be holding a free public forum: “Whose Art is It?” on Friday, April 8 from 12-1:30 pm. The discussion will use the removal of the The Maine Labor Mural Cycle in Augusta as a springboard to address the status of public ownership of public art. “Participants will include: Mark Bessire, Director of the Portland Museum of Art; Sharon Corwin, Director and Chief Curator of the Colby College Museum of Art; Christina Bechstein, Sculpture Professor and Director of Public Engagement at Maine College of Art; and Chris O’Neil, Government Relations Consultant for the Portland Community Chamber. Invitations were extended to Governor Paul LePage, who is unable to attend and to artist Judy Taylor [who painted the mural cycle], who has respectfully declined.”

Last fall, proposals for benches for the new Bayside Trail were unveiled to the public to no great acclaim: “Art should be something you feel passion for,” said committee Chairman Jack Soley. “At the end of the day, we felt most of the entries were simply too pedestrian, and we’re not looking for that. We could buy benches from a catalog if that’s what we were looking for.” From what I saw of the proposals, some of them were quite well crafted and others too self-consciously “artistic.” But, to return to the idea we started this post out with, the relevant “creativity” here is not personally expressive, but social. One of the most successful comparable projects in recent years has been the High Line in Manhattan’s Chelsea district. The seating is indeed functional, but beautifully designed. Most importantly, people use it! The High Line offers many places for people to stop and relax and socialize. The seating has helped to make the space into a place. With luck, this is what the Public Art Committee had in mind when they decided to reissue the challenge: “To Artists, Designers, Landscape Architects, Architects and other interested parties: The Public Art Committee of Portland, Maine has issued a Request for Qualifications (RFQ) from artists and designers, or teams of artists and designers, to create functional art in the form of seating along the new Bayside Trail in Portland. The RFQ is available for download on the Portland Planning and Urban Development Department web site. The deadline for submission of a qualifications packet is 3:00 p.m., Thursday, April 28th, 2011.” The Public Art Committee also requests that you please forward this post along to other artists or designers who might be interested in submitting qualifications for this project.

Making places for creativity to happen is just as important as the tangible products of creativity itself. The creation of new places like Base Camp and the Bayside Trail adds to the collective happiness that we feel in Portland.

The Creative Economy—that fantastical, multi-headed creature from Richard Florida‘s bestiary—seems to be getting its due, at least in Portland. For many years, creativity was considered the province of artists and non-profit arts organizations, and it was supported as a kind of civic-minded charity. The Creative Economy was, literally, singing for its supper. It is a hopeful sign that the City of Portland has incorporated the Creative Economy into its current Draft Economic Development Plan from the ground up. To extend the metaphor, the Creative is now sitting down at the table and discussing what should be cooked for that supper. The plan builds upon a decade of concerted effort in Portland to understand and define the economic goals of the city in the 21st century. The importance of the Creative Economy in those goals was highlighted in the Creative Economy Steering Committee Report to the City Council, in 2008, which observed that, “A great growth potential for Portland’s creative economy lies within the creative enterprise cluster. Elusive to define, the creative enterprise cluster includes all trades and professions that are built upon the translation of creative expression and talent along with application of innovation and intellectual capital into profitable products and services.” It concluded that we have to get the word out nationally, “that Portland has what it takes to sustain and support these enterprises to capitalize on this growth industry for Portland.” The draft plan lists three core economic development focal points: to grow the economy, enrich the creative economy and support the business climate. That the Creative factors so prominently in that equation is a testament both to how broadly the high-value knowledge economy has been defined and also how vigorously it has been championed by the Creative Portland Corporation and many other municipal stake holders. We still like the singing part, but will have the supper first, please.

As the race for governor pulls into the home stretch, the creative economy seems to be little more than a buzz word for most of the candidates. For the most part there has not been any development beyond their Meet the Governor statements from this past spring. Only Eliot Cutler has actually come out with a detailed plan about how to stimulate the creative economy and make it a bigger part of the state’s overall economy. At LiveWorkPortland we are not in the business of endorsing candidates, but we are in the business of promoting ideas that will promote the creative economy in Portland and beyond. Cutler has outlined four main ideas that we hope will be followed through by the winning candidate in November: Building the Maine brand, from arts to artisanal foods; Promoting year-round tourism based on culture as well as scenery; Public support for a network of arts districts throughout the state; and Creating an arts magnet high school similar to the Limestone science and mathematics magnet up north. Creativity is really not a partisan issue. An article from Newsweek this summer, “The Creativity Crisis,” quotes “a recent IBM poll of 1,500 CEOs [who] identified creativity as the No. 1 “leadership competency” of the future.” And it’s not just more raw creativity that we need, but creativity coupled with critical thinking and—this is key—engineering. The English inventor Sir James Dyson (he of the the perfect suction and now the blade-less desk fan) has been embraced by the Conservative Prime Minister David Cameron. At Cameron’s request, Dyson wrote a report called Ingenious Britain: Making the UK the leading high tech exporter in Europe. In the report, Dyson “calls for government to reawaken Britain’s innate creativity and competitive spirit. It looks at ways in which government can inspire young people to study Science, Technology, Engineering and Maths; raise the cultural importance of engineering; make better commercial use of the ideas that come out of universities; and provide financial support for start-ups and existing high tech companies to flourish.” Not surprisingly, the report has generated strong bi-partisan support as it is both pro-business, pro-education—and pro-creative economy. As Dyson says on his educational foundation website: “From an early age we’re asked to choose: art or science? Creativity or analysis? But it doesn’t have to be one or the other. Design and engineering’s a middle ground, where both disciplines are equally crucial.” So along with and arts magnet high school, how about an arts/science combinator (to use the Silicon Valley term) based in Portland? Libby, Paul, Eliot, you all in?

Photo of Paul LePage by William P. Davis/MaineObserver